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Hand Papermaking Board of Directors
Cathleen A. Baker is a
Senior Paper Conservator at Univ. of Michigan Libraries. She
was a teacher of the conservation of works of art on paper
for fifteen years before retiring in 1993 to write By His
Own Labor: The Biography of Dard Hunter, published in
2000. She teaches conservation and preservation workshops.
She has an MFA in Book Arts and a PhD in Mass Communication
with a specialization in media history.
Sid Berger has been making
paper for more than 35 years. He gives many
book-arts-related workshops, also publishing and speaking
widely. He is presently leading an international group of
libraries in the production of a thesaurus of terminology of
decorated and decorative paper. He is a Professor at Simmons
College, and the director of The Phillips Library at The
Peabody Essex Museum.
Shannon Brock has been the
Art Director of Carriage House Paper since 1996. She holds a
BFA from the Kansas City Art Institute. She has taught
papermaking at Montclair State University, BookWorks in
Asheville, NC, and throughout the east coast. She maintains
her paper mill and studio, Gaptoothed Studio, in Brooklyn,
NY, and exhibits her pulp paintings and sculptural work
nationally.
Inge Bruggeman (Treasurer)
has been making and publishing fine press artist's books
under her imprint INK-A! Press for over 10 years. Her work
is shown and collected internationally. Inge is an Adjunct
Professor at Oregon College of Art & Craft. She also
runs a small business, Textura, a commission letterpress
printing studio in Portland, Oregon.
Georgia Deal is the Chair
of the Printmaking Department at Corcoran College of Art &
Design. She has worked with handmade paper in different ways
for over 30 years. Her work is collected and exhibited
widely.
Gail Deery teaches
printmaking at Maryland Institute College of Art, and
previously taught at Rutgers Center for Innovative Print and
Paper and Harvard University. A master printer and expert on
papers, she exhibits, lectures, and consults in the US and
abroad. She received her MFA from Rutgers University.
Jim Escalante is on the
faculty of the Art Department at the University of
Wisconsin-Madison where he teaches courses in book arts and
papermaking. He founded Iguana Press in 1978.
Helen Hiebert (Vice Chair)
is the
proprietor of Enlightened Papers and a well-known author.
She worked for six years at Dieu Donné Papermill in New
York City. She now teaches and lectures about papermaking
and lamp making throughout the country and maintains her
studio in Portland, Oregon.
Ann Marie Kennedy works with handmade paper to
create both wall-sized works of art and large-scale
sculptural environments, and collaborates occasionally to
produce paper for editioned book works. Ann Marie was a
resident artist at Penland School of Crafts. She is
currently a full-time faculty member at Wake Tech Community
College in Raleigh, NC, and teaches workshops throughout the
U.S. Her MFA is from the University of Iowa.
Bobbie Lippman has been
making paper since 1982. She founded the papermaking program
at Historic RittenhouseTown in Philadelphia, and was
co-editor of Hand Papermaking magazine from 1992-94. She is
currently a Program Officer for Culture at The Pew
Charitable Trusts. Her paper paintings are in numerous
public and private collections.
David Marshall is assistant
director for communications policy at the Federal Judicial
Center in Washington, DC, where he oversees print and
web-based publications. He became interested in handmade
paper through studies at the Corcoran School of Art.
Margaret Prentice began
papermaking in 1971, co-founding Twinrocker Handmade Paper
with Kathryn and Howard Clark. She studied printmaking at
the University of Arizona (BFA: 1966) and the University of
Colorado (MFA: 1980). She is currently teaches printmaking
and papermaking at Univ. of Oregon. She has studied
traditional papermaking extensively in Japan, and recorded
indigenous papermaking techniques in Mexico. Her work is
exhibited nationally and internationally, and may be found
in many noted collections.
Andrea Peterson is an
artist, papermaker, and educator, with an MFA from the
University of Minnesota and a BFA from the Art Institute of
Chicago. She teaches papermaking at Columbia College Chicago
and Ox-bow, a summer school for the Art Institute of
Chicago. At her studio in Indiana she conducts paper
research and creates her widely-exhibited artwork and
production paper that is sold internationally.
John Risseeuw (Chair)
is Professor of Art at Arizona State University where he
teaches book arts, papermaking, and printmaking. He is
Director of Pyracantha Press, ASU's book arts press, and
proprietor of the Cabbagehead Press. His books and prints
have been widely exhibited and collected.
Beck Whitehead has been
working with artist-made paper since 1984. Since 1985 she
has served at the Southwest College of Art & Craft in
San Antonio, Texas, and is currently Paper & Book Arts
Department Chair. Her work has been exhibited nationally and
internationally since 1972.
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