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IN THIS ISSUE:
¤ Catherine Nash surveys 25 artists on
the use of their Hollander beaters, with three paper samples
by Vicky Sigwald, Betsy Dollar, and Margareta Mannervik.
¤ Tatiana Ginsberg presents the work of
several artists who use handmade paper in public art pieces
and large-scale installation work.
¤ Helen Frederick poses the question,
“why paper?” to a range of artists who work in hand
papermaking.
¤ Papermaking Studio Guide: an
international sampling of papermaking studios that offer
rental access to artists.
¤ Conservation framer Eyal Danieli
outlines his recommendations for archival mounting and
framing of handmade paper artworks.
¤ Conservator Claire Gerhard suggests
appropriate techniques for storing paper art.
¤ Elizabeth Finch considers what makes a
medium description meaningful and understandable when
describing paper artworks.
¤ Jill Littlewood addresses how
papermakers support each other in their work though
papermakers’ guilds, membership organizations, and listservs,
among others.
¤ Helen Hiebert ON artist Peter
Gentenaar
¤ Amanda Guest reviews Lee Krasner
exhibition at Robert Miller Gallery, New York.
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