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This information is reprinted from the Cranberry Corner column
of Hand Papermaking Newsletter #55 (July, 2001).
To learn how to order Hand Papermaking bi-annual magazine
and quarterly newsletter, click
here.
Wet Pressing and Consolidation
There are two reasons for wet pressing: water removal and
sheet consolidation. WATER REMOVAL. Excess water must be
removed from the paper to reduce its moisture content to the
point that the wet paper can be handled during the drying
process. The “wet strength” of paper is highly dependent on
its moisture content and increases dramatically as the sheet
becomes drier. SHEET CONSOLIDATION. The other important
function of wet pressing is the consolidation of the sheet
of paper. As the water is pressed out of the paper and flows
out through the press felts, the fibres come into more
intimate contact with each other and inter-fibre bonding
starts to occur. WET PRESSING PROCEDURES. In the last
column, the stack of wet felts and freshly couched papers
(the “post”) had been built on the bottom press board. The
centering jigs are unclamped and removed from the front edge
of the press board, then the front edge of the press board
(with the post on it) is lifted up and at the same time the
press board and post are heaved into the press
(simultaneously centering it!). With my press which has a
maximum nine inch (23cm) opening, when making large sheets
such as 22”x30”, the wet post of twenty seven sheets and
felts can weigh up to two hundred pounds (over 90kg), so the
papermaker must lift half of this when heaving the post into
the press. This is not a sport for weaklings! Once the
post has been centered in the press, the top press board is
placed on top of the post, the oil-hydraulic press pump (or
manual jack as the case may be) is turned on and the wet
pressing begins. The wet sheets in the post are still very
fragile and are just held together by the felts, so great
care must be taken to apply the press load very gently at
first. If the top press platen is lowered too fast, the wet
paper will be squeezed out from between the felts and the
paper will be crushed and ruined. On the vertical side
frame of my press I have marked the position of the top
press platen in quarter-inch intervals. I watch both the
platen’s downward movement and the rate at which the water
is escaping as the pressure is gradually applied to the
post. Once the flow of water has almost ceased, the pressing
force can be raised to the maximum (in my case 30 tons) and
held there for two minutes or so. Just to make sure that
all the possible water is removed by wet pressing, the top
press platen is raised until it clears the post and then
pressure is reapplied to the maximum for another minute.
Then the top platen is raised completely and the post (which
is, of course, much lighter now) can be eased out of the
press onto a waiting dolly. I should mention that the
floor of the wet area of my paper mill is made of asphalt
that has been sloped from each side of the room downwards to
a drain which discharges through the exterior wall into a
double filtration system which catches 99% of the fibres
that escape. Thus, after papermaking and wet pressing the
whole area can be hosed down using a pressure hose to keep
the floor and equipment clean.
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