Summer 2013
:
Volume
28
, Number
1
Keith Gum graduated from Sophia University in Japan and completed an MA in art at the University of Guam. He has attended papermaking workshops at the Robert C. Williams Paper Museum in Atlanta, Georgia, Carriage House in Brooklyn, New York, and in Japan. He currently manages Ifugao Papercraft in Inverness, Florida. Of all the laborious chores papermaking demands, mixing the vat is probably one of the most time consuming. Whether using a cordless drill/paint mixer attachment or a bamboo pole, mixing forces us to momentarily halt the papermaking rhythm and set the mould aside. I have seen drawings of a propeller-like apparatus but these designs fail important benchmarks. A self-built vat agitator should be easy to assemble from materials that are readily available and inexpensive; mix better and faster than by hand; not involve dangerous wiring near the vat; have a manual switch for initial charging of the vat and an automatic on/off setting; and be reliable. That is asking a lot!