FOR THE WORKING ARTIST

Catherine Nash surveys 25 artists on the use of their Hollander beaters, with three paper samples by Vicky Sigwald, Betsy Dollar, and Margareta Mannervik.

Tatiana Ginsberg presents the work of several artists who use handmade paper in public art pieces and large-scale installation work.

Helen Frederick poses the question, “Why paper?” to a range of artists who work in hand papermaking.

Papermaking Studio Guide: an international sampling of papermaking studios that offer rental access to artists.

Conservation framer Eyal Danieli outlines his recommendations for archival mounting and framing of handmade paper artworks.

Conservator Claire Gerhard suggests appropriate techniques for storing paper art.

Elizabeth Finch considers what makes a medium description meaningful and understandable when describing paper artworks.

Jill Littlewood addresses how papermakers support each other in their work through papermakers’ guilds, membership organizations, and listservs, among others.

Helen Hiebert ON artist Peter Gentenaar.

Amanda Guest reviews Lee Krasner exhibition at Robert Miller Gallery, New York.

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